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Benjamin Baron performs with New York City’s finest ensembles and travels the world as a clarinetist. Praised by the American Record Guide for his “clean, incisive clarinet playing” and by the New York Times for having “evoked sounds of nature”, the New York Sun said his performance of Messaien’s Quatuor pour la fin du temps was “played with reverence.” Following a performance of Mozart's Clarinet Concerto, the Sioux City Journal hailed him as a player of “great emotion, skill, and intensity.” Career highlights include performing with the New York Philharmonic, Metropolitan Opera Orchestra, New York City Ballet Orchestra, Orchestra of St. Luke’s, New York Pops, American Ballet Theater Orchestra, Brussels Philharmonic, and Canada's National Arts Centre Orchestra.


As a chamber musician, Baron toured Europe with the London Winds playing the Serenades of Richard Strauss and Mozart’s Gran Partita. He was soloist for Lisa Bielawa’s Chance Encounters with The Knights Chamber Orchestra (Orange Mountain Music) and bass clarinetist for the world premiere of Gilad Cohen’s wind sextet, The Last Battle of King Sorrow, at Carnegie Hall with their affiliate ensemble, DeCoda. The American Symphony Orchestra featured Baron on Samuel Coleridge Taylor’s Clarinet Quintet as will the Westchester Philharmonic for Mozart’s Quintet for Piano and Winds with Jeremy Denk. He has collaborated with the Locrian Chamber Players, Argento Chamber Ensemble, Either/Or Ensemble, Ensemble Connect, and the International Contemporary Ensemble.  


Baron has served as principal clarinet of the Chamber Orchestra of New York (Naxos), Philharmonic Orchestra of the Americas (Sony Classical), and New York Symphonic Ensemble which featured many solo performances on tours throughout Japan including Suntory Hall. He has appeared as principal clarinet with the American Symphony Orchestra, New Jersey Symphony, and American Composer’s Orchestra. The Westchester Philharmonic also featured him as soloist for Paquito D’Rivera’s Danzón as did the New Haven Symphony for John Williams’ Victor's Tale. Baron was the clarinetist for the Broadway revival of Leonard Bernstein’s On The Town and the critically acclaimed cast album released by P.S. Classics. He has also played Broadway productions of The King and I, The Phantom of the Opera, Wicked, My Fair Lady, The Great Comet of 1812, and Mary Poppins.


Currently a member of the faculty and Woodwind Department Coordinator at Montclair State University, Baron previously taught at Lehman College and was in residence at New York University with the Quintet of the Americas. He has been a guest at many schools, often facilitated through his artist relationships with Buffet Crampon Clarinets and D’Addario Reeds. Previously the Director of Instrumental Music at New York City’s Calhoun School, Baron began a composition initiative to address race and gender related inequities in student music while elevating the artistic quality of new works for young people. Katie Kresek, Jeffrey Scott, and Xinyan Li wrote pieces in the inaugural year and more pieces continue to get commissioned. 

Baron earned his doctorate from the Manhattan School of Music and also received degrees from Yale University, Arizona State University, and the Royal Conservatory of Belgium which was funded through a fellowship from the Belgian - American Educational Foundation. His thesis, The Audition Method for Clarinet, Volume 1, is available from GIA Publications. Along with his co-author Mark Nuccio, Volume 2 is nearing completion and the method is being expanded into a series for additional orchestral instruments. The Audition Method for Violin with David Kim was released in 2022. Versions for flute with Joshua Smith and horn with William VerMuelen are in production with plans for more underway.


Originally from Sioux City, Iowa, Ben currently resides in Oradell, New Jersey with his wife and two daughters.

D'Addario Artist
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